The Log Jam is gay Republican bar where randy (and Ayn Rand-y) lonelyhearts gather to have drinks, talk to Nancy Reagan, and explain all the reasons why they hate the poor. Can three gay conservatives find love and understanding in a liberal gay world?

2017 was the 40th Anniversary of the release of The Jam's first Polydor singles and LPs. This DVD features TV appearances and promo videos from those iconic LPs -- In The City and This is the Modern World.

The Complete Jam serves up a staggering 49 performances, divided between 16 promotional videos (previously available on the |Video Snap VHS collection), a seven-song excerpt from a 1980 live show, and a staggering 26 more drawn from the best of the band's television performances, ranging from their U.K. debut on Marc Bolan's fondly remembered Marc through to their nine-song farewell performance on The Tube. A couple of entertaining interviews, a photo gallery, and a short (and, sadly, very poorly narrated) documentary on the band's history complete the portrait.

The Jam performs selections from All Mod Cons in this concert from 1979. Filmed for Belgian Television.

A recording of the live performance of JAM –The Recital– on November 11, 2021.

Mrs. Doodle, a '90s housewife frugal in every possible way, finds herself tempted by a jar of gourmet strawberry jam a most extraordinary grocery store . . . .

Television adaptation of F. Kárinthyho's story about how important it is to have a sense of home. The apricot jam symbolizes the home, family well-being, which the little boy Ferko, living with his parents in a Hungarian town of the 30's of the 20th century, desperately hopes for. A mother with an unfulfilled desire to become a famous pianist and a father with an even more distant dream to be a world-famous and wealthy writer to a son have no time or even a loving word. His loving companion is only Manci, who, however, leaves for misunderstanding with his lords. Ferko remains alone, disappointed and reluctant to accept the friendship of a new maid of Rózy. But he also has his great dream, and Róza will help him meet him.

Holiday fireplace videos. We all love them, they bring comfort and cheer to our living rooms and family gatherings. But have they ever made you laugh? We’re proud to present a new kind of fireplace video, one filled with festive comedy and music to be enjoyed by all! And yes, don’t worry, there is still a fireplace -- Kevin Murphy's actual Minnesota fireplace! The RiffTrax Yule Log burns brightly for over two hours. Enjoy the fire while along the way lots of fun RiffTraxy moments pop in -- such as bits of new Christmas riffs, original songs written and performed by the guys, classic carols, nose flutes, skits and excerpts from beloved RiffTrax hits of holidays past! There’s truly nothing like it, and no better way to keep your loved ones happy and smiling as the egg nog kicks in. Even the Ice Cream Bunny gives it his “HURR HURR HURR” seal of approval! Spend your holidays nice and cozy with Mike, Kevin, Bill, Bridget, and Mary Jo, it’s the RiffTrax Yule Log!

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

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